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11 Aug 2009When you open a project that was created in a previous version of Color, and you render all clips and send to Final Cut Pro, the resulting project may not have sent to Final Cut Pro as expected. Clips with speed adjustments and transitions applied to them originally in Final Cut Pro may appear truncated or shifted in time.
In: Mac Support| Tutorials
7 Aug 2009Freeze frames that you apply Motion Tab adjustments to in Final Cut Pro do not carry over to Color when you choose File > Send to Color in Final Cut Pro.
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7 Aug 2009If you apply a speed change to a trimmed clip in Final Cut Pro and you send it to Color, the clip previews in Color with an extra frame at the start and end. If you then render the Color project to DPX or CIN (Cineon) files, those extra frames are rendered to DPX or CIN files as well.
In: Hardware| IT| News and Views| Software
29 Jul 2009The ColorMunki product line achieves very good color management at a reasonable price. Both the hardware and software are easy to use and the digitizing features of the Design and Photo software make it an indispensable tool for those who need to match colors to paints, fabrics, and other physical objects
Filed under: Found Footage , iPhone , App Store I’ve got a soft spot in my comedy heart for The Daily Show’s Wyatt Cenac , one of the newer correspondents on the program; he often manages to give interview subjects just enough Colbertian leeway to wander into the danger zone, then lets them blunder about, bumping into the awkward silences to excellent effect. That’s exactly what Cenac did this week when he interviewed the creators of iPhone fart apps Pull My Finger and iFart, who have a long-simmering feud over who gassed whom on the fart-app frontier. The whole thing is fine and funny… right up until the point that Pull My Finger developer Eric Stratton compares his app’s struggle against injustice to Jackie Robinson breaking the color line in baseball. That’s when it becomes deliciously, painfully hilarious.
In: Mac Support| Tutorials
23 Jul 2009When rendering RED 2K media to DPX files be aware that render times in Color 1.5 are longer than in Color 1.x.
In: IT| Mac Support| Tutorials
23 Jul 2009Freeze frames that have transitions applied to them in Final Cut Pro sequences are not sent to Color when you choose File > Send To > Color in Final Cut Pro.
In: IT| Mac Support| Tutorials
23 Jul 2009Using Final Cut Pro’s “Send to Color” feature with a sequence that includes both RED 4K media and regular NTSC material may result in the NTSC material being unusable after rendering in Color and sending back to Final Cut Pro.
In: IT| Mac Support| Tutorials
23 Jul 2009When rendering 2K Cineon, 2K DPX, or 2K RED media, the media may be sourced as if it were 1K. This is a result of the Render Proxy setting being set to half resolution, which is the default Render Proxy setting in Color 1.5. Note: This will only affect DPX and Cineon files if you have previously generated proxies.
The outside of the box said "Windows base machine or better", so I bought a Mac.
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